SEAN HAMILTON

Days of Impermanence is an album of improvisations for drum set, vibraphone, and percussion released on Gotta Let It Out. Along with the album of music, a companion photobook is available, comprised of 35mm photographs.

This Instrument A Place is a book of 35mm photos printed on risograph in black, aqua, and fluorescent pink.

Edition of 30.

Artifacts For Another Time is a book of 35mm photos printed on risograph in black or purple.

Edition of 30 total, 15 of each.

Collaborative book project with Stephen R. Parks: A collection of 35mm black and white and digitally manipulated 35mm color photographs, printed on risograph. Available in two numbered editions of 20. This was also presented in installation form in Tampa, FL.

The book also includes a generative composition of the same name, distributed via flash drive.

Created for Art in Odd Places Orlando, the EASL explores the theme of “noise” in a mobile battery-powered performing arts station.

Collaboration with Tory Tepp, the Song Garden is part of the Earthtones project which explores the intersections of urban agriculture, land art, and music making.

Collaboration with Stephen R. Parks, this installation featured a generative composition called “The Finer Things in Life” programmed in Pure Data and output in 4-channel surround.

Afterlife: Reflections of an Undefined Process, collab. with Eli Blasko (installation and performance), Kevin von Kampen (percussion)

Phoenix Dance Theater’s Choreographers and Composers Lab, two weeks of creative research in Leeds, UK

The Sublime Operator and a Science of Dropped Calls, collab. with Jacqui Dugal (dance) and Eli Blasko (installation and performance)